44th Parl. 1st Sess.
March 9, 2023 10:00AM
Mr. Speaker, as the member well knows, I never refer to any member in the House in a derogatory way, but I do criticize their comments. They were wacky comments and Conservatives should be ashamed of themselves for making those comments in this place without having read the legislation. All members are honourable. I never criticize Conservatives personally, but their comments have been beyond belief. They are wacky and Conservatives should retract them if they do not want me to call their comments “wacky”. Making a connection between Bill C-11 and the despicable, totalitarian government in North Korea that is killing its citizens is unbelievably wacky and crazy. Conservatives, instead of standing up on points of order trying to shut down my freedom to criticize their comments, should be standing up and apologizing to this House for having made the comments in the first place.
Mr. Kevin Lamoureux: Apologize and resign.
Mr. Peter Julian: Mr. Speaker, I very rarely agree with the member for Winnipeg North, and I do not in this case either.
This is what we have had from the Conservatives in this debate. Their comments have been crazy. It is absolutely inappropriate that they made those comments in this place. I am hoping that if the member for Carleton comes forward, unlike what he did around the Conservatives' meeting with that despicable neo-Nazi, for which he never apologized, he will apologize for the comments the Conservatives have made in this House about Bill C-11.
There has been one comment that is less wacky but is nonetheless disinformation. That is the issue around saying that somehow Bill C-11 would take this untrammelled Internet and big technology companies that in no way provide any sort of guidance around algorithms, so it is a “what you see is what you get” kind of thing, and that it would in some way have an impact on those algorithms. This misconception that somehow algorithms are innocent needs to be questioned.
The whole issue around Bill C-11 is about having in place a transparent process that makes sense and that actually provides support for creators and artists who have been struggling to make a living, in the same way we did 50 years ago with the Broadcasting Act. It was a revolutionary idea that Conservatives opposed at the time, but that time has subsequently proven to have been the best possible decision for our artists and for the expansion of Canadian culture throughout the world. Back in the 1970s, the idea was to say to the big, American-owned music giants that they would have to start including Canadian content. They would have to take these great Canadian artists they had been shoving out and bring them in.
We saw an unbelievable renaissance of Canadian culture, as members know, literally dozens and hundreds of Canadian artists showing Canada and the world how skilled they were. All of them had a start because Canadian parliamentarians, back in the 1970s, actually took that step to ensure that Canadians could speak to Canadians, that Canadian content could actually be shown to Canadians. American music giants said, “No, no, we've given you a few; that's all we're going to give you”, kind of like big tech today. However, Canadian parliamentarians at that time had the maturity and the understanding that we had to move forward as a country. They put in place those Canadian content rules to ensure that Canadians would not be hidden anymore by foreign companies. We saw the results: Canadian music, Canadian films, Canadian television. We have seen the incredible ability of Canadians to show the world how effective, how incredibly imaginative and how wonderful our Canadian artists, actors, writers, directors, producers and all Canadians are when it comes to culture.
We now fast-forward to Bill C-11, and big tech has been doing the same thing, for those who somehow doubt that they would see big tech in the same way. I know Conservatives love big tech, big banks and big tax evaders; they love them all. They gave $160 billion to banks 15 years ago. The Harper regime just poured on the spigot for big banks. As we know from the Parliamentary Budget Officer, we lost $30 billion a year to overseas tax havens. For the big tax evaders, the Harper regime just opened the door.
To our chagrin, and to the chagrin of Canadians, unfortunately, the Liberals have not closed that open door, so we are still losing $30 billion a year. That is a conservative figure from the Parliamentary Budget Officer. I may well be, and I believe it to be, much higher than that. If we take that, over the last decade, that is $300 billion. Over the last 15 years, since the Harper regime opened the spigot to give big tax evaders money, that is half a trillion dollars. It is unbelievable.
It is no surprise that they side with big tech when big tech says it is innocent and all it wants is to do business. The Wall Street Journal looked into algorithms to see if what big tech says is true, that big tech is innocent and that what it does is in the best interest of the community. The Wall Street Journal, in this case, analyzed Google, but this applies to all the big tech companies. Its findings “undercut one of Google’s core defences against global regulators worried about how it wields its immense power—that the company doesn't exert editorial control over what it shows users. Regulators' areas of concern include anticompetitive practices, political bias and online misinformation.”
The algorithms are already biased. They are already ensuring that fewer Canadians can actually benefit from the incredible talent and imagination they have, in the same way that 50 years ago we saw, unfortunately, American music giants say they were going to give us a couple of artists and then Canadians could just go into our corner and be quiet, because they were going to dump foreign artists on the Canadian market and it is their market. Parliamentarians, at that time, said no, and parliamentarians were right to say no. As a result of that, we have a culture that has thrived, until big tech started doing the same thing.
What has big tech been doing? Where are its bias and emphasis? I think it is important to note what we have seen from the District of Columbia's top attorney and what he brought forward in the United States to the National Association of Attorneys General. In talking about big tech, he said they “host, facilitate and accept money from hate organizations and individuals who literally are spewing their toxic hate”. I am quoting from Politico, about the Washington D.C. attorney general Karl Racine: “Among the changes he’d like to see are...detail[s] [about] how much money they make from hate speech and more information on what is taken down and when.”
This is an issue that has been raised by the Stop Hate for Profit campaign in the United States, the Anti-Defamation League, the Southern Poverty Law Center and a whole range of other very credible organizations. They have all spoken out against algorithms that exist now in big tech that bring people into what has been described by those organizations as a “pipeline of hate”. The algorithms exist already. The algorithms have a bias, as The Wall Street Journal pointed out.
What this bill does, Bill C-11, is actually ensure that Canadians now have a way to get into big tech's boycott of much Canadian talent. Conservatives might say that some Canadians still succeed despite all of this.
The reality is that more Canadians will succeed because of Bill C-11, in the same way that, 50 years ago, we had a Parliament that was imaginative enough to understand that we had to stand up against the American music giants, that we had to stand up and ensure Canadian content, and by standing up, we had more Canadians benefit. This is really my message to my Conservative colleagues: More Canadians will benefit, more artists will benefit and more Canadian creation will happen as a result, which means more jobs in Canada.
I hope Conservatives will stand with every other member of Parliament here who understands that Bill C-11 essentially opens the door to more Canadians. It would ensure that all that money being vacuumed out of this country right now by big tech will actually be put back in to create jobs here in Canada.
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Mr. Speaker, I want to thank my NDP colleague for his intervention today, and I could not agree more with the vast majority of what he said.
I reflect on the committee's work. At one point, a member from The Tragically Hip, Gord Sinclair, came forward to the committee. Obviously, I am very biased, being from Kingston, about The Tragically Hip, but he specifically pointed to the Canadian content rules that the band emerged within and how that allowed them to flourish and become, in my biased opinion, Canada's band. Gord Sinclair specifically talked about how we need to ensure that Canadian content continues to have access to our markets so that bands like the The Tragically Hip can continue to be found, become known and have the exposure they need, especially when we are competing against a market that is 10 times the size, that of the United States.
I wonder if the member can comment on how he sees future opportunities for new artists, given the incredible requirements and the words that Gord Sinclair spoke at committee.
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Mr. Speaker, yes, The Tragically Hip comes from Kingston, and I congratulate the member on that. The Tragically Hip embraced the entire country. It is really one of Canada's bands and one of Canada's musical giants.
As the member points out, there are so many musical giants that came as a result of Canadians standing up for themselves, with Canadians actually saying and Canadian parliamentarians saying, “You're not going to stop Canadian musicians from broadcasting in Canada any more. You're not going to dump foreign content in Canada to block Canadians from emerging.”
We see with big tech, as I mentioned earlier, that the algorithms are not innocent. They have had a tendency not to favour Canadians. In fact, it is disturbing, as I pointed out from other organizations, what they do tend to favour, and Canada needs to stand up for itself. Canadian parliamentarians need to stand up for Canadian musicians. The impact is boundless in terms of the possibilities for Canadian artists, musicians and film directors that we actually take pride in Canada and take pride in the jobs that come from Canadian culture.
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Mr. Speaker, I have some questions around the structure that seems to be a problem in the bill. It is complicated, and perhaps the member can help me understand what the Liberals are thinking here.
The trouble with it is that the digital libraries, like those on Netflix, cannot easily meet a percentage content requirement, and most TV networks are doing that with their sports and news programming. However, they could be made to invest a portion of their revenue in Canadian content, which was a requirement that our 2021 Conservative platform endorsed. The CRTC's definition of Canadian content would also need to change, since it often depends more on copyright ownership, which streaming services keep, rather than using Canadian staff, writers, actors and such. Netflix's major francophone film was made and written in Quebec, but it does not qualify as CanCon.
The Liberals have claimed that Bill C-11 would result in up to a billion dollars per year in investment in Canadian culture, but they have not explained it. Maybe they have explained to the NDP, as their partners, without explaining to Conservatives how and what streaming services would have to pay, which is what Canadians would want to know. I see in here in section 9 a very clear delegation of penalties. Why are they not clear here in what they are suggesting they would do in regards to these providers?
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Mr. Speaker, I appreciate the member's question. Hopefully this is a climb-down from where the Conservatives have been on this bill over the last few months, as wacky things have been said in connection with Bill C-11, with wacky comments that were absolutely inappropriate. I am hoping this means the Conservatives will take a more measured approach to this.
The member threw out what I think she meant as a dig, saying that maybe we have been told something they have not been told. The reality is that through the extensive committee hearings, all members of Parliament heard explanations from ministerial officials, the CRTC and the many witnesses who intervened on behalf of Bill C-11. The vast majority of witnesses over the months of hearings were in favour of Bill C-11.
There is a legislative component but also a regulatory component, as the member points out. I agree with her on that, and the government has been clear there, although I would suggest it needs to be more clear on the regulations. However, the important thing is to pass the bill, and I hope this represents a change in the Conservatives' opinion of the bill.
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Mr. Speaker, I congratulate my colleague from New Westminster—Burnaby on his speech.
In his speech, he talked a bit about certain artists. I was also listening to my colleague from Kingston and the Islands talk about the Tragically Hip. We could talk about Rush, Bryan Adams, the Montreal band The Box, from the 1980s and 1990s. Goodness, there are tons of many Canadian artists who broke through and went on to have great careers.
Thanks to these pioneers who benefited from measures that were implemented to promote and highlight Canadian content and francophone content, especially in Quebec, an entire industry developed, and now it is flourishing and reaching audiences around the world.
Without the discoverability measures that were put in place in the traditional media to allow Quebec and francophone content to grow, it simply would not exist. I know that my colleague talked briefly about this earlier in his speech, but I would like his thoughts on the potential that this new bill holds for all creators, including digital creators from Quebec and Canada.
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Mr. Speaker, we know how prolific and vast Quebec culture is. Earlier I talked about Canadian artists in general who have made their mark around the world. Artists from Quebec have also made a name for themselves in Europe, Africa and everywhere else. The problem is that big American companies did not want to give Quebec that space. They were not interested in creating space for francophone artists.
These regulations made it impossible to keep hiding Quebec artists, so they now have a presence in Quebec and Canadian media. Many Quebec artists go to Vancouver and are extremely popular in British Columbia and around the world. That is because we know we have to stand up for our artists and give them exposure by asking big corporations to make space for them, whether they are from Quebec, B.C. or anywhere in Canada.
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Mr. Speaker, I had an exchange yesterday with the member for Lethbridge, and I am hoping the hon. member for New Westminster—Burnaby can help me straighten out a misconception held by other members in this place.
In talking about the artists and creators who want Bill C-11 passed, I referred to the writers of this country represented through a group called The Writers' Union of Canada. I am a member. It is not a collective bargaining union. Its name is the Writers' Union of Canada, but it represents creators in this country, many of whom earn $10,000 to $15,000 a year.
The response from the hon. member for Lethbridge, and I am paraphrasing, was basically that of course they want it: They are a big union, they will make money and they are not creators. I would love to take this opportunity to straighten that out. These are creators and these are writers. The Canadian Media Producers Association is for people who write screenplays and who are out of work until we get things balanced for Canadian producers with Bill C-11.
The hon. member from the New Democratic Party clearly knows unions. Would he think The Writers' Union of Canada is kind of like the writers' version of the CAW?
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No, Mr. Speaker. I think what is clear here is the Conservatives are siding with the gatekeepers, and the gatekeepers for them are the CEOs of big tech. They love gatekeepers. Big bankers, they love them. Big tax-evader gatekeepers, they love them. Big tech gatekeepers, they love them. They love gatekeepers, and they are choosing the gatekeepers of big tech, the CEOs of big tech corporations, over Canadian writers, who have come together to try to get some of the resources that have been cruelly denied to them, particularly over the last few years.
Musicians' revenues have fallen by 79% over the course of the last three years. In Canadian production, there is a decrease of 12.4%. In digital media, royalties paid to Canadian creators are three times lower than those in more traditional media. One in four people working in the cultural sector lost their job. At the same time, Netflix increased its profits by 22%, and the Conservatives have sided with Netflix gatekeepers over the interests of Canadians.
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Mr. Speaker, it is a pleasure to speak to this important legislation, legislation that has been in the works for a number of years. The government has continued to persist in getting it through the House as quickly as we can even in recognition of the opposition we have received from the Conservative Party.
This is excellent legislation. It clearly demonstrates what the Prime Minister, different ministers and the Liberal Party have been advocating for legislation in general. When we bring forward legislation, the government is very much open to ways in which it can possibly be improved. I and my colleague from Kingston often talk about how important it is to get legislation to the committee stage. Bill C-11 is a good example of that.
After a healthy debate at second reading, we were finally able to get the bill to the committee stage, and we saw a number of amendments. Unlike the former Stephen Harper regime, this is a government that actually listens to what other members have to say, whether they are members of the Conservatives, the NDP, Green or members of the Liberal caucus. At committee, where ideas surface, a number of amendments were proposed and actually adopted, all with the thought of making the legislation stronger for Canadians. We were able to get the bill through the committee, then third reading and it went over to the Senate.
I really want to emphasize that I appreciate the degree to which the Senate its invested time, resources and energy into ensuring the bill was thoroughly reviewed. That is in good part why it has come back: There were a number of amendments that the Senate believed would enhance the legislation and make it that much stronger.
The minister responsible for Bill C-11 and the fine civil servants working with that minister were able to look at the amendments and, in most part, accepted of them. We do have some concerns with some of the amendments and we will not support those. I would invite members of the Senate or others, if they have some specific questions in regard to those amendments, even amendments that we are not passing, to reach out to the minister's office. At the end of the day, we have not seen a modernization of this legislation since the 1990s.
The other day, we were speaking to other digital-type legislation with respect to cybersecurity and so forth, and I drew a comparison of the past and the present. It is long overdue. This is an initiative that the government has now been working on for a number of years.
There have been thorough consultations in every region of the country. The department has done a fantastic job of bringing forward the legislation, responding to the requests, thoughts and expressions from the many different stakeholders. As I pointed out, it listened to what opposition members were saying and it adopted amendments from opposition members.
We have before us a returned Bill C-11, on which the minister has given a very clear indication of where we are as a government with respect to wanting to see the legislation pass, and it is time. There is no need to see a filibuster of any sort. Members on all sides have had ample opportunity to express their thoughts.
I share many of the concerns that the NDP and the Bloc member have raised. I, too, have received emails that paint a very clear picture of misinformation. There is an incredible amount of misinformations out there, and sadly there are political entities in the House that are promoting and encouraging that misinformation.
I had an email earlier today from someone who said that a vote for Bill C-11 would take away his rights. Politicians in the chamber who are trying to support that information are being intellectually dishonest. Nowhere in the legislation would the rights of an individual be taken away. Nowhere in the legislation would freedoms of expression be limited or taken away.
A select group within the Conservatives are espousing false information with respect to the content of Bill C-11, or they are at least supporting the misinformation that is being spread in our communities. Bill C-11 is all about putting an industry on a level playing field with another industry that has been there for many years. It in essence is saying that in the digital world, the big companies such as Crave, YouTube, Spotify and Netflix need to be put on the same playing field as CBC, CTV and others.
The CRTC plays a critical role in who we are as a nation and amplifies that. For many years, we have seen the CRTC and its decisions and actions that it has taken on behalf of governments of all political stripes enhance our heritage from coast to coast to coast. I think the promotions and the advancement of so many careers in the arts are a direct result of the promotion of Canadian content.
My colleague just made reference to a very famous band, and I am not really up on music, The Tragically Hip.
Mr. Mark Gerretsen: I will share some of those CDs with you.
Mr. Kevin Lamoureux: Mr. Speaker, he said he will share some of their music with me, and no doubt I will enjoy them.
Whether it is music or film, there are incredible talents in every region of our country. When I think of the Prairies and out west, I think of Corner Gas. We get a high sense of pride that it is a production that takes place in the province of Saskatchewan. North of 60 took place both in Alberta and Manitoba. We can even go way back to something like The Beachcombers. All of those, in good part, had a type of advocacy because of Canadian content requirements.
When I think of today, I think of things like Kim's Convenience. A couple of years ago, Schitt's Creek received a number of Emmy Awards. I had no idea about it until it received all those awards. It is an incredible comedy.
The advancements of some of the actors, actresses and musicians who we have seen could be rooted back to Canadian content policies and the promotion of Canadian heritage. We underestimate that industry. It is a substantial industry in virtually every jurisdiction and all the different regions of Canada. It provides jobs and amazing opportunities for talent.
We can look at the city of Winnipeg and how it has benefited from the type of talent found there. We can go to many festivals, especially during the summertime but not only limited to the summertime. One I often make reference to is Folklorama. If members want to get a sense of the potential of that industry, they should tour some of the facilities and the pavilions of Folklorama. They will witness first-hand amateurs singing, performing all forms of dance and sharing amazing talents with thousands of people. Some of those who actually participate in Folklorama go on to participate at Rainbow Stage or other theatre-type operations.
There are so many opportunities if we think of the bigger, holistic picture of it. When there is a young person getting involved, for example, in a showpiece at a pavilion, it takes a great deal of time and energy throughout the year for that young person. It instills skill sets, discipline and so much more. The benefit of seeing that sort of growth at the ground level and how that ground level works its way to the top is important.
We should be supporting that, whether it is in Winnipeg, Montreal or in our smaller communities throughout the country. One of the ways we could do that is by supporting Bill C-11, legislation that would modernize our broadcasting. It would ensure that Canadian content is not only important to CBC but that it is important in the digital world also.
That is why we will find every member of Liberal caucus supporting Bill C-11 and voting for it. We recognize and value the industry, the jobs that it creates and the enhancement of our heritage to our country. It helps identify who we are as a nation. We get a sense of pride, much like we do when an athlete wins a gold medal for Canada, when we see an actor in a major movie production or in a sitcom. We can relate to that because it is in our community.
These are some of the reasons why Bill C-11 should be universally supported on all sides of the House. Sadly, that is not the case.
Briefly, the bill would bring online streaming services under the jurisdiction of the Broadcasting Act. It would require online streaming services that serve Canadian markets to contribute to the production of Canadian content and ensure online broadcasters showcase more Canadian content. In essence, it modernizes the outdated legislation.
What would the bill not do? I say this for my Conservative friends. The bill would not impose regulations on the content that everyday Canadians post on social media. It would not impose regulations on Canadian digital content creators, influencers or users. It would not censor content or mandate specific algorithms on streaming services or social media platforms. It would not limit Canadians' freedom of expression in any way, shape or form. This is so upsetting, and I made reference to it at the beginning.
What is interesting in the comments thus far is that the Bloc members, the NDP members and now myself have talked about the misinformation. It is one thing when, through the Internet and other forms of media, misinformation is being espoused and commented on.
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However, as legislators, as leaders within our community, we have a responsibility to be more transparent and honest with Canadians in regard to legislation we are passing.
I find it despicable that there are those who are actually assisting in validating misinformation. To try to give the false impression that this legislation would be taking away the rights of people in Canada is just wrong.
To try to say that this would somehow be telling Canadians what it is that they can and cannot watch through the Internet, through streaming, is just wrong. To try to tell Canadians that this has something to do with their freedoms and rights is wrong.
Any member who has had the opportunity to participate and engage, whether by listening or standing up and speaking on the legislation, knows that. All political parties know that.
Those who are going out promoting and encouraging that misinformation, I believe, as the NDP House leader has said, should really reflect on what it is that they are doing and give serious consideration to apologizing for spreading such false information. There is a segment in society that is believing it, unfortunately.
As I have clearly indicated in my comments, I like to think that, at the end of the day, this legislation is all about ensuring a level playing field. It is all about an industry that is so critically important to Canada. It helps identify our identity, who we are. It ensures opportunities for people, for Canadians, into the future, in an area in which we know Canadians can excel. Our arts community is a community we need to support, as we have in the past. This is a continuation. It is a modernization of the legislation. That is what it is.
I would ask for all members not only to support it but also to do what they can in terms of dispelling the misinformation that is out in our communities.
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Mr. Speaker, the member opposite talked about the misinformation that is being put out, and most of it is being put out by the members of the Liberal government. If we look to the actual facts of the matter, the fact of Bill C-11 is that it says that the Governor in Council, that is, the cabinet ministers, would determine the criteria by which the CRTC would decide who would be impacted by the legislation, so that it is the government telling the CRTC who would be under it. It has not revealed that information, although we have asked for it for a year.
The Senate has now brought amendments that would specifically exclude individual content. It would say that if one were not commercially involved, if one did not have a unique identifier, that one would not be subject to this legislation. The Liberal government, again, has refused to accept it.
Could the member tell me how this legislation is different from what happens in communist countries, where the government determines content and who is going to be able to see it?
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Mr. Speaker, the member is one of a number of Conservatives who continue to do a disservice to the people of Canada by trying to give some false impression. In no way whatsoever would this prevent or limit an individual from being able to upload what they are doing with their cat or dog, or whatever else they want to be able to upload.
This legislation would not be not infringing upon their freedoms or their rights. They would be able to watch what they would like to watch.
The Conservative Party needs to have more integrity on the honesty file, and I would suggest to us that, at the end of the day, what it is doing is spreading misinformation, which is creating a great deal of anxiety among a number of people. This cannot be justified.
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Mr. Speaker, I thank my colleague for his speech. I am happy to agree with him once again. It does not happen very often.
Bill C‑11 is fundamental. This bill showcases and supports the cultural sector. One thing that must be stressed and which members of the House need to understand is that the cultural sector is a sector that needs to be supported and promoted.
We are not saying that we will provide for them. We are saying that we will help them become more visible so they can have more exposure, have higher incomes and become better known around the world. That is important.
I was listening to the discussion in the House. There is talk of misinformation. As MPs, we can have differences of opinion, but if there is anything that we have the duty not to do, it is repeating falsehoods.
I would like my colleague from Winnipeg North to explain to us how repeating something that is not true several times does not make it more true the next day.
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Mr. Speaker, it is a fair comment. If one is a Conservative MP and continually says that it is an infringement on one's rights or that the government is trying to limit what one can watch on the Internet, one can repeat it a thousand times, as often as one likes. The reality is that this is not what the legislation says.
The Conservatives might want to use their rhetoric to raise money, to give false impressions or to try to be a disruptive and destructive force here on the floor of the House of Commons. The bottom line is that the legislation would not do what it is that the Conservatives have been espousing to Canadians.
In standing up, what I really want to emphasize is that the member recognizes, and the Bloc is good at recognizing the culture and the arts in the province of Quebec, which I know the Minister of Heritage often talks about, and the importance of the French language, being where it is in North America.
This is good legislation that would enhance the importance of Canada's languages.
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Mr. Speaker, as a border MP, I am really concerned about the fact that if we do not stand up for Canadian artists, producers and culture I do not know who will.
During the debate, I could not help but think about the story of Freddie Freeman, with the World Baseball Classic taking place right now. He is a Canadian born in California, whose Canadian mother, Rosemary, passed away from melanoma when he was 10. He has chosen to play for Team Canada. He is a six-time all-star, a three-time Silver Slugger Award winner, as well as MVP winner and Gold Glove Award winner. This just brings up for me the choices we need to make in trying to fix this bill.
What does it say if we do not, in Parliament, stand up for our artists and our culture at this point when others are doing that?
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Mr. Speaker, one of the things we recognize is that the Broadcasting Act, which was brought in many years ago, has done many wonders in advancing Canadian content. I would ultimately argue that many of the artists we have today owe their success to the government's role in ensuring a higher level of Canadian content.
Bill C-11 would update and modernize the act, whether that is the traditional CTV or the CBC being on a level playing field with the digital world, which we have seen explode over the last 20 years.
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Mr. Speaker, the leader of the Conservative Party will get his chance to speak. I know they are not a big fan of CBC, and I can appreciate that, but there are many artists today who are there and are as influential as they are today because of CBC. That is just another point on which I and the leader of the Conservative Party will disagree.
However, maybe he can apologize for the members who are trying to give the false impression that rights of Canadians would be taken away by this bill or that their freedom to watch what they want on the Internet would be taken away. It would be nice. I understand he might be up next to speak, and if he is, maybe he could apologize to Canadians for making those types of statements.
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Mr. Speaker, I certainly hope my colleague does not hold his breath on that, because he will probably be let down. He brings up a really interesting point, though, and it is about the Conservative misinformation about this issue. It goes beyond being just about providing misinformation; it also has a lot to do with money and Conservative fundraising. The reality is that I tweeted something recently about this issue and my tweet ended up in a Conservative fundraising email. In that same email—
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I wish the CBC were on an even playing field.
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