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Decentralized Democracy

House Hansard - 278

44th Parl. 1st Sess.
February 8, 2024 10:00AM
  • Feb/8/24 5:12:13 p.m.
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Madam Speaker, I heard the hon. member say that Quebec manages its own affairs better and that immigration in the Canada-Quebec accord has been and continues to be managed by the Province of Quebec. I would like to know how successful that management has been during the last several years. Do the housing, manufacturing and tourism sectors in Quebec have adequate numbers of skilled immigrants, as required for their needs? What has been the success in those fields?
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  • Feb/8/24 5:12:53 p.m.
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Madam Speaker, my colleague asks a very interesting question. We have a lot of success in Quebec. I invite him to observe the situation in Quebec. In a bunch of sectors, we are still ahead of the rest of Canada. I am not saying that to put down the other provinces. Let us think of child care, or of immigrant integration levels. Quebeckers make up one of the most welcoming societies in the world. It has been one of the most mixed societies since its establishment. Last week, we celebrated Polish heritage. These people arrived during the time of New France. Immigration did not start with the great Canada of the 2000s. People have been coming to Quebec for a long time and we have always been capable of living well with them. What I was saying is that it is an administrative issue. We always have to fight for resources to manage what should be managed by Quebec. When it comes to federal jurisdictions, it is even worse because we are delegated responsibilities, but we are not given the necessary funding. That is what I was saying.
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  • Feb/8/24 5:14:00 p.m.
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Madam Speaker, I thank the member for pointing out the reality of the impacts of leaving one's homeland. Does the Bloc agree with the NDP that the answer to respecting immigrants is to stop pointing fingers at them and instead address corporate greed and profiteering in Canada's housing sector and beyond?
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  • Feb/8/24 5:14:26 p.m.
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Madam Speaker, my colleague touched on a key point. We have to look at wealth distribution and where the government puts its resources. When we talk about greed and record, disastrous, even shameful profits, I immediately think of the oil and gas industry. It is funny that I do not often hear my Conservative colleagues talk about this and the millions and billions of dollars being funnelled into it. We often ask for resources to welcome people and help our farmers. No one here complains about giving money to the oil and gas companies when they have plenty. We need to work on getting that money back. We could also talk about tax havens where billions of dollars are sitting idle. There is so work much to do. We need to look after the common people.
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  • Feb/8/24 5:15:13 p.m.
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It being 5:15 p.m., it is my duty to interrupt the proceedings and put forthwith every question necessary to dispose of the business of supply. The question is on the amendment. If a member participating in person wishes that the motion be carried or carried on division, or if a member of a recognized party participating in person wishes to request a recorded division, I would invite them to rise and indicate it to the Chair.
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  • Feb/8/24 5:17:10 p.m.
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Madam Speaker, I request a recorded division.
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  • Feb/8/24 5:17:14 p.m.
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Pursuant to Standing Order 45, the division stands deferred until Monday, February 12, at the expiry of the time provided for Oral Questions.
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  • Feb/8/24 5:17:29 p.m.
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Madam Speaker, I suspect if you would canvass the House at this time, you would find unanimous consent to call it 5:30 p.m., so we could begin private members' hour.
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  • Feb/8/24 5:17:38 p.m.
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Is that agreed? Some hon. members: Agreed. The Assistant Deputy Speaker (Mrs. Alexandra Mendès): It being 5:30 p.m., the House will now proceed to the consideration of Private Members' Business as listed on today's Order Paper.
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  • Feb/8/24 5:18:26 p.m.
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moved that Bill S-202, an act to amend the Parliament of Canada Act (Parliamentary Visual Artist Laureate), be read the third time and passed. He said: Madam Speaker, it is a great honour to rise again in the House and speak to Bill S-202, an act to amend the Parliament of Canada Act to establish a parliamentary visual artist laureate. As mentioned in my speech during second reading, I want to thank former senator Patricia Bovey for all her hard work in getting this bill through the Senate and to the House this last time. I am also incredibly grateful to former senator Wilfred Moore for his initial push of work on this legislation in 2016. I also want to thank Senator Andrew Cardozo for stepping forward and offering assistance should the need arise to return this bill back to the other place to consider amendments that are now before the House. These three senators are each strong champions of the arts, and each deeply understands the need for this legislation. I am truly honoured to be working with these three senators on this bill to ensure that the Canadian arts are featured prominently through the parliamentary visual artist laureate. This position would arise from the successful passage of the bill, as amended at the Canadian heritage committee. I will note that the heritage committee made two amendments to the bill at committee stage. While I believe both amendments were covered in the original form of the legislation, they further clarify two aspects. Following consultation with the above three senators, who in turn have consulted with the larger arts community, we have accepted the validity of these two amendments and ask the House to formally adopt them as part of the legislation that is once again before us. In a previous session, when this bill was known as Bill S-205, the members of this House delivered many excellent speeches when they debated the legislation. It is clear that, in the three times this bill has been before the Senate and the House, it has had overwhelming support from parliamentarians in both chambers. There have been a lot of positive discussions on Bill S-202 to date, with my colleagues from all parties providing supportive statements during this Parliament’s second reading of the bill, as well as during the committee stage. Bill S-202 is about supporting Canadian art and artists. The arts community was hard hit economically during the COVID-19 pandemic but is slowly recovering from that time. The arts provided a respite to Canadians during that challenging time in our country’s recent past. During my time away from this place between 2019 and 2021, I worked for the Township of Langley as the cultural services manager, where I had the opportunity to work very closely with the arts community. I have always understood the importance of the arts, but it was during the pandemic that I truly came to understand how essential artists are to the well-being of society. For over 150 years, Canadian artists have influenced Canadian culture and its beautiful microcultures. Acclaimed and beloved artists such as Emily Carr, Kenojuak Ashevak, George Campbell Tinning, Claude Vermette, Jack Chambers, and Maud Lewis illustrated their experiences, desires and perceptions with exhilarating grit and comforting beauty. They all worked to elevate cross-cultural understanding, curiosity, unity and proud expressions of Canadian culture. To make a position within Parliament specifically for artists to create in, just as many Canadians before them have done outside of these parliamentary walls, honours the creativity and perseverance of Canadians. Along with these well-known artists, I believe we can all name more than one inspiring artist in our own home community, demonstrating how art is embedded in all our communities across Canada. George Elliott Clarke, our parliamentary poet laureate from 2016-17, wrote the following poem in support of this legislation for Senator Bovey. I apologize to the interpreters, who will have to do this on the fly. The poem is as follows: The blank page—the blank canvas is— Undeniably delicious— Like fog, which obscures, then reveals— What Hope imminently congeals— A fantastic architecture— Imagination born secure: What Vision—the I of the eye— Had dreamt, is What answering Why. . .. Rainbows erupt from paint or ink— And film sculptures light—in a blink; A needle, weaving, is lyric, And whatever is shaped is epic. Art's each I articulate, Whose vision ordains a laureate. As a reminder to my colleagues, Bill S-202 seeks to amend the Parliament of Canada Act to create the position of parliamentary visual artist laureate. The parliamentary visual artist laureate would be an officer of the Library of Parliament, akin to the position of the parliamentary poet laureate. The selection process for this role would consist of the Speaker of the Senate and the Speaker of the House of Commons acting in tandem to select artists to reflect Canada’s linguistic and cultural diversity. The mandate for the parliamentary visual artist laureate is to promote the arts in Canada through Parliament, including by fostering knowledge, enjoyment, awareness and development of the arts. In carrying out this mandate, the laureate may “produce or cause to be produced artistic creations, at the request of either Speaker, especially for use in Parliament on occasions of state”. A two-year period is in place for this position, as is in place for the poet laureate, with the intention of rotating different ideas and perspectives, ensuring that multiple voices and approaches are heard and seen. As mentioned in the Standing Committee on Canadian Heritage, the important consideration here is that this position would become a part of the institution of Parliament and would be here for the long term. Having that longevity, that permanence, would allow for the arts to reflect various aspects of current and future Canadian culture, including the experiences of everyone from around the world that has come to call Canada home. Canadian artists from across the country, whether lifelong Canadians, immigrants, indigenous peoples or others, will benefit from having a parliamentary visual artist laureate in Ottawa. The appreciation of the arts unites us, and in a multicultural country such as Canada, we should promote our many different forms of art at every opportunity. Senator Bovey had a long and wondrous career as a visual arts curator, a director of several major Canadian art galleries, a professor and an author before joining the Canadian Senate in November 2016. She carried that passion for the arts with her during her tenure as a senator, and she continues her advocacy today, reminding us that the arts are a critical part of living and realizing Canada's diversity. In her maiden speech in the Senate in 2016, Senator Bovey said, “The arts play an uncontestable and considerable role in all aspects of society”. As chair of the Standing Committee on Indigenous and Northern Affairs, I would like to build on Senator Bovey's statement. The role that the arts can play in society includes building relationships and knowledge with indigenous nations. Indigenous artists are arguably the best-known Canadian artists outside Canada. As we look toward reconciliation and renewing relationships with indigenous peoples, I want to remind everyone of what Senator Bovey said in 2016. She indicated, “The power of the arts is infinite.... The arts are letting the world know who Canadians are, where we are and what we value”. For my colleagues who may not have noticed it, I mentioned future Canadian culture. The next generations of youth are Canada's future, and art is a critical component in engaging with, teaching and learning from our youth. As a witness in heritage committee, former senator Bovey stated: The visual arts also have the power to teach and inspire. I believe the visual artist laureate will be a bridge to our youth regarding the role of democracy, the workings of Parliament and your commitments, and will assist in addressing the gap in knowledge about civics. It would be a connector across this country and across generations, and open doors to bring us together at a time when that has never been needed more. Art, as a mirror of society, is not a lie, an exaggeration or a fleeting, impermanent digital commentary. It is permanent, good and an important part of our heritage and ongoing history, portraying honestly what we are and what we are thinking. I want to take a moment to thank the members of the Standing Committee on Canadian Heritage for their careful consideration of Bill S-202 and for putting forth two previously referenced amendments that enshrine our commitment to diversity and equality of opportunity for all artists. Similar to the position of the Poet Laureate, the selected visual artist laureate would alternate every two years between someone who works primarily in English and someone who works primarily in French. With the first amendment accepted, the committee is ensuring a reflection of Canada's linguistic reality in the position of the parliamentary visual artist laureate. I thank my French-speaking colleagues for their clarification of current practices of the House by making sure French Canadians are equally represented as the parliamentary visual artist laureate through this amendment. I also want to thank the heritage committee for amending Bill S-202 to ensure digital creations are included in the definition of “arts”. While the original legislation included reference to future art forms and would have included digital creations, this amendment solidifies digital creations as a legitimate art form. As more and more artists express an interest in digital media, we must ensure that digital creations are included to reflect the diversity of Canada through this evolving art form. As Senator Moore said in his final speech in the Senate in 2016, when the legislation was known as Bill C-234, the position of parliamentary visual artist laureate would augment the Poet Laureate's office and expand the types of artistic expression that depict Canada both at home and abroad. The federal government has actively promoted the arts since the Massey Commission in 1949, which recommended that federal funding be made available for a wide range of cultural activities. The Massey Commission stated that “it is in the national interest to give encouragement to institutions which express national feeling, promote common understanding and add to the variety and richness of Canadian life”. I want to note that the Massey Commission recommended the founding of the National Library, the National Gallery and the Canada Council for the Arts; we readily founded these institutions to support the artistic expression of Canada. I wholeheartedly agree with Senator Moore that the expansion of artistic creativity deserves recognition in Parliament. As the former senator noted, our chambers of Parliament are defined not just by those of us sitting in its hallowed halls, but also by the artwork hanging on the walls that remind us daily of the sacrifice of those who built this nation. Canada has so many talented artists, and it is time we celebrate these visual artists and their contributions to our culture and the expression of who we are. As we discuss Bill S-202 during its third reading, for its third time in the House, I urge my colleagues from all parties to support this bill and to vote in favour of its passage. Let us show our support for the arts across this beautiful and diverse country.
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  • Feb/8/24 5:29:12 p.m.
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Mr. Speaker, I thank my colleague for his wonderful speech. This bill may not look like much, but appointing a visual artist is quite important. We already have a poet in the House. Obviously, as an actor, as an artist who has worked in television, theatre and film, I am going to applaud having more arts in this Parliament. In fact, I will have a chance to talk about that shortly. However, there is one little detail I want to talk about. We should make sure that Bill S‑202 includes alternating appointments. If an English-speaking visual artist is appointed, a francophone must follow. At this time, Bill S‑202 does not include such a provision. I would like to know if my colleague agrees with that.
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  • Feb/8/24 5:29:52 p.m.
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Madam Speaker, first of all, I would like to thank my colleague for his passion for the arts and, obviously, for his commitment, over a lifetime, to arts in Canada. The amendment that was brought forward by the Bloc in Bill S-202, to reflect the ongoing practices of Parliament in alternating between English and French, will do exactly that, should this amendment and this legislation as proposed be carried. I think it is an important amendment to actually codify the practice that we have here in Parliament to make sure the cultural and the linguistic diversity is reflected in how the visual arts laureates are selected on an alternating two-year basis. I think that with the Bloc's input on this and with the support of other francophone members within this chamber, we will make sure that this linguistic and cultural diversity is reflected.
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  • Feb/8/24 5:30:50 p.m.
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Uqaqtittiji, I enjoy the hon. member's chairmanship at the indigenous and northern affairs committee very much. I know that he answered this question a little. I also want to thank the member for including indigenous artists like Kenojuak Ashevak in his statement and for noting the importance of ensuring that indigenous peoples are laureates as well. I wonder, in addition to what was just asked, in terms of alternating laureates, if we are making sure that indigenous artists are at the forefront of those selections and those rotations.
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  • Feb/8/24 5:31:35 p.m.
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Madam Speaker, I thoroughly enjoy working with the hon. member on the indigenous and northern affairs committee as well. The insights that she brings are invaluable. I believe we did have quite a lengthy discussion about how we bring in indigenous artists to make sure they are reflected in the selection process. As much as we are building and working to retain the various indigenous languages in Canada, right now, we are a country of two official languages. Therefore, in this bill, it is a reflection of English and French, alternating, while respecting that people living in Canada will likely have a working ability in either of those languages, as well as in an indigenous language, for those who are indigenous persons. My sense is that it would not preclude indigenous artists from being reflected or selected within this process, but it would also make sure there are opportunities for Inuit, first nations and Métis artists to be selected as part of this—
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  • Feb/8/24 5:32:38 p.m.
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The hon. member for Saanich—Gulf Islands.
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  • Feb/8/24 5:32:44 p.m.
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Madam Speaker, I am honoured to take the floor this evening remotely. I want to signal to the member for Cloverdale—Langley City my support for the private member's bill, Bill S-202. I appreciate it, because I remember the work that former senator Patricia Bovey did on this bill, and it seems such a shame that it slid off the Order Paper. I think the circumstances were unfortunate at that time. I will not go into the details, but I want to thank the hon. member for Cloverdale—Langley City for bringing it forward and for finding ways to bring forward our visual artists from various cultures and backgrounds, both francophone and, of course, the emphasis on our extraordinary indigenous artists. Meegwetch.
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  • Feb/8/24 5:33:29 p.m.
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Madam Speaker, I would like to thank my hon. colleague, the member for Saanich—Gulf Islands, for her recognition of the importance of this legislation and her support of it during multiple interventions here in the chamber of the House of Commons. We look forward to seeing this being created so that we can move on with it. I would love to see some of our west coast indigenous artists and other west coast artists eventually be selected as a part of this process.
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  • Feb/8/24 5:34:09 p.m.
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Madam Speaker, as my colleague mentioned, Bill S‑202 has to do with the appointment of the parliamentary visual artist. As I said earlier, I am a stage and film actor, as well as a fan of literature. I therefore agree that art should have a bigger place in our lives, even in Parliament. I could not agree with that more. Today, I decided to treat myself because someone has expressed much better than I could the importance of literature and art in our lives. I am talking about David Goudreault, a slam performer and poet from Quebec. He has written a lot and has even won some awards. He was awarded the World Cup of Slam Poetry in Paris in 2011. Since then, he has been writing novels and continues to slam and do shows. We also see him on television, where he works as a commentator. His words are striking, touching, penetrating and impactful. He has a much better way with words than I do, and he wrote about how we should leave more room for art, poetry and literature in our lives. That is why, today, I decided to treat myself and read one of David Goudreault's poems. I hope he will forgive me—
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  • Feb/8/24 5:35:44 p.m.
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May I ask hon. members to take conversations outside of the chamber, please, so that we can hear the speech? The hon. member for Longueuil—Saint-Hubert.
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  • Feb/8/24 5:35:53 p.m.
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Madam Speaker, I am going to talk about something very serious, that is, poetry. I would like my colleagues to listen. It is not that often that we talk about poetry in the House. I am not sure we ever have. It is important that members listen. I apologize in advance, because David Goudreault is also an extraordinary performer. When he reads his own poetry, when he speaks his own words, it is utterly amazing and fascinating. I encourage my colleagues to go see one of his shows. Still, I will read this piece, because it is worth it.I call for poetryA deep breath held in, underworld apneaFor all the teachers that won't skip a chapterHands sunk and guts poured into the subject matterA light that can express itself freelyIn free verse, spoken work, sonnets or haikus“O Captain! My Captain!”Loot the coffers and bring us poemsEnough to fill every schoolStarting in first grade: Jean Narrache for today's dictationFootball players forced to read Marie UguayHeads of the class can tackle VanierBetween math class and phys-edLet's give them credits for each moment of quietWhere speech can grow, all crooked and aliveI call for poetryIn back alleys and on farm roadsLet's have every streetworker pacing the voidWhisper Roland Giguère in misery's earLet's have poets in residenceIn every residence for senior citizensLet's pair every illiterate with a poetAnd pay them to reconquer the wordsThey can paint huge signs in front of psych wards, “Amazing specials inside!”In front of l'Assemblée nationale, “Don't feed the wild ideals”On library stone walls, “Welcome to the Art Therapy Community Centre”I call for poetryLet's have every SAQ cashier recite “La romance du vin”With every purchase of over 20 bucksLet's replace the Hockey Night theme with a poem by PozierLet's ask Anonymous to do their thingSo only works by Josée Yvon can be bought on AmazonLet's canonize Yves BoisvertLet's give Hélène Dorion a Nobel PrizeLet's have lines by Francoeur on rolling paperBeausoleil on boarding passesDesbiens on Trans Canada bus tickets Daoust on tinted glasses that cover the eyesAnd the yous and the theysI call for poetryFrom Miron's country, yet to be chosen and inventedTo the occupied lands of the last First NationsThere's more than Ani Couni, you knowWhy not teach Joséphine BaconJean Sioui and Rita MestokoshoLet their voices be heard, YawindaFrom Mohawk lands to Ivujivik, NakurmikI call for poetryIn Chloé Sainte‑Marie's mouth-shaped heartGo ahead and give her a doctorate honoris causaSo she can pawn it for a tiny fraction of her selflessness' worthAnd by the way, Montreal City, where the fuck is your Leonard Cohen Street?
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