44th Parl. 1st Sess.
March 29, 2022 10:00AM
Madam Speaker, when the hon. member brings up web giants and the need to make sure they pay their fair share, that is incredibly misleading. That was actually already addressed last summer. They now have to pay GST. Make no mistake: that is not a part of this legislation. What is a part of this legislation is actually going after those digital-first creators, those new innovative artists, and asking to take 30% of their revenue to give to traditional, antiquated, outdated artists who cannot make a go of it otherwise.
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Madam Speaker, I am proud to rise on behalf of the constituents of the beautiful riding of Renfrew—Nipissing—Pembroke who value freedom and diversity of thought.
Recently, there has been an outbreak of diversity of thought among my Liberal colleagues. I know that can be scary for some of them. To reassure them, I will heed the call to unity and try to lower the temperature on this very important debate about Bill C-11, which is the online streaming act.
This may disappoint my biggest fan, the member for Winnipeg North, but he will be delighted to learn that I have saved a special section just for him. When a similar bill was first introduced last Parliament, I went on my Facebook Live show, The GNN, and described it as a serious threat to freedom of expression. I stood in the House and described it as a serious threat to freedom of expression.
The media, to be fair, and much of the public shrugged off these concerns. As outlined in my first speech, this bill would have little effect on popular mainstream expression, other than to make it more expensive. The threat to freedom of expression with this bill comes from the impact it would have on smaller, less popular minority expressions. It was only when the government members of the committee, in a coalition with the NDP and the Bloc, removed the legislated safeguards on user-generated content that everyone online became aware of the threat this legislation posed.
Fundamentally, Canadians understand that if the government has the power to regulate, promote or demote their online expression, then that expression is no longer free.
My Liberal colleagues will raise a hue and cry, and claim the Prime Minister does not want to censor Canadians' cat videos. That is true. The Prime Minister does not want to censor cat videos; he wants to tax them. The Prime Minister wants to tax Canadian and foreign artists not covered by the current Broadcasting Act. He wants to tax them and give that money to the powerful media and cultural lobbies. Of course, arts groups that profit off this bill support it. It is the artists who do not have a powerful lobby organization who pay this new CanCon levy.
This legislation proposes to take money from digital artists and redistribute it to the government's preferred analog artists. This is just as the government takes income tax dollars from new media journalists and gives them back to the horse-and-buggy media.
The government really wants to tax Netflix, but does not say it wants to tax Netflix. In order to pull off this tax without saying “tax policy”, the government is changing the very meaning of broadcasting. This takes us to the heart of the problem. The Broadcasting Act, by its very nature, places restrictions on Canadians' right to freedom of expression.
I want to repeat this in order to be absolutely clear. The Broadcasting Act is designed to limit and regulate freedom of expression. The reason it has not been struck down for violating the charter is because those limits are reasonable.
My constituents know I will defend their freedom no matter what, but they understand there can be reasonable limits. The Broadcasting Act is an example of this. It places limits on Canadians' freedom to broadcast their expression. The reason for this is the technology. If all Canadians with electricity and an antenna were able to broadcast their individual expression on whichever electromagnetic frequency they chose, everyone would cancel one another out and no one would be heard.
By the nature of the technology, the freedom of one person to use a particular frequency impacts the freedom of everybody else to use that frequency. Broadcasting technology, by its nature, requires broadcasting regulation. Without broadcasting technology using limited public air waves, the federal government has no legal right to regulate the content that carries expression from Canadians or to Canadians.
Our predecessors knew that having control of Canadians' expression over public airwaves was something best kept at arm's length from cabinet, so they set up the CRTC. The Broadcasting Act regulates expression. It is baked into the legislation. It is what the CRTC does. Streaming is not broadcasting. The freedom of one Canadian to stream content does not limit the freedom of any other Canadian to stream other content.
As we much appreciate Canadian authors and Canadian painters, we do not legislate the content of book stores or art galleries to promote their expression over foreign expression. It is not because a foreign author or painter has freedom of expression, but it is because Canadians do.
We cannot pass legislation that limits or restricts Canadians' access to artistic expression. We cannot pass legislation to regulate any expression that does not infringe on the rights of other Canadians' expression. If the House proceeds with this fundamentally flawed legislation, it will be infringing on the rights of Canadians. Most Canadians will not notice the infringement beyond paying higher streaming bills. Netflix and Disney can afford to hire Canadian lawyers and lobbyists and have lunch with the chair of the CRTC. They will be fine.
Majority expression in a democracy is rarely threatened. It is the minority expression that suffers. For example, what about the foreign-language streaming services? Take the streaming service TFC, which is based in the Philippines. It streams thousands of movies and televisions show in Tagalog, and TFC accepts Canadian credit cards. The riding of Winnipeg North has 20,000 people who speak Tagalog at home. The member for Winnipeg North may want to be absolutely certain this legislation will not cause the TFC to block the Canadian Internet from accessing its service. TFC may have no choice.
Under this legislation, TFC would need to either produce Tagalog-language movies and shows in Canada or pay into a fund to support English, French or indigenous movies and shows. Netflix is already producing movies and shows here. Netflix can afford to spread its CanCon levy across five million subscribers. Can TFC afford to spread its CanCon levy across 20,000 constituents in Winnipeg North or, more importantly, can the Tagalog community in Winnipeg North afford the CanCon levy?
That CanCon levy has to come from somewhere. It can come out of the pockets of hard-working immigrants in Liberal ridings, or it can come at the expense of writers, actors, musicians, costumers and set designers in the Philippines. How does this possibly sit well with my colleagues across the aisle? It just cannot be the cultural special interest groups, who do a lot more than just sip champagne at galas in order to keep the Liberals in power at election time, so it must be about the money. It always is.
The fact is that the bill would exempt user-generated content unless it makes money. It strongly suggests that it is just a tax grab, with a side order of censorship, but in the interest of promoting listening among parties, I want to acknowledge that for some of my colleagues, in particular those from Quebec, this bill is about protecting Canadian and Québécois culture. Quebec is an island of French in a sea of North American English. In the age of broadcasting, Canadians mostly tolerated CanCon rules as the bargain for protecting Canadian culture. In the age of the Internet, we do not live next door to the United States. We live next door to everyone online. We have to turn our cultural policy inside out. We have to stop protecting our culture from the world and start promoting it to the world.
My colleagues have not noticed that the world wants more Canada, and I am not just talking about the maple leaf flying in the streets of capitals across the world as a symbol of freedom. While Canadians have been binge-watching Lupin and Squid Game, people from Albania to Zimbabwe have been streaming Kim's Convenience and Schitt's Creek. Canadians are expressing themselves. This legislation threatens that expression. That threat falls primarily on minority expression, and it is what the Broadcasting Act does.
This legislation is regressive protectionism. It looks backward and inward. The members opposite still cannot see the risk this bill poses to their constituents before they vote, so they should go out and speak to them; not to the lobbyists or the special interest groups. They should ask their constituents how much they spend each month and what they would be forced to give up if the price went up by 10% or 20%.
I plan to vote against Bill C-11, because I have listened to what my constituents are saying. I hope my Liberal colleagues will listen to the minority-language voices in their ridings, because they have just as much right to expression in their language as they do.
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Madam Speaker, I rise with interest on the member's new-found interest in diversity and inclusion. Her colleague for Lethbridge talked about an overabundance of power, but the status quo deals with some of the largest companies in the world that often do not pay the creators who are posting videos and content, unlike broadcasters in traditional forms of media.
Why is the opposition so intent on supporting companies such as Chinese giant TikTok and Google over Canadian content creators who are not earning anything?
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- Mar/29/22 3:55:42 p.m.
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I want to remind members that the question was posed to a specific member and I know the member does not need any additional assistance in addressing it.
The hon. member for Renfrew—Nipissing—Pembroke.
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Madam Speaker, I found it interesting that the member opposite had to go to my colleague's speech to generate a question. Maybe the member was not listening carefully. I said that the point of this bill is to raise revenue for Liberal special interests. It is not the government's intent to have censorship with this bill. The censorship is just a by-product of using the Broadcasting Act.
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Madam Speaker, I thank my colleague from Renfrew—Nipissing—Pembroke for her speech, although I had a hard time following it because it had so many elements.
I have a question for my colleague.
We all know that we are governed by the legislative, executive and judiciary powers. We all know that the power of the media and companies like GAFA cannot be ignored, since in some ways, it is greater than the government.
How could the CRTC, which has merely surveyed the damage so far, possibly require the web giants to follow its guidelines, given that it is an institution from the last century?
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Madam Speaker, I did not quite get the question, but the member was talking about the Broadcasting Act and protecting language and culture, which the Broadcasting Act does because there are limited channels in broadcasting. If it were a free-for-all and any Canadian could get on a broadcast channel and start broadcasting, we might have a problem. However, this is about online streaming, and when we stream online, we are not preventing anyone else from viewing what they are watching on TV. In fact, more people have the opportunity to see different shows that may not make the cut on regular network channels.
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Madam Speaker, in 2020, one in four people working in the cultural sector lost their jobs. However, Netflix revenues increased by 22% in that same year. Unsurprisingly, the Conservatives have always promoted tax and regulatory breaks for the benefit of the web giants and at the expense of our broadcasters and workers, who are struggling to make ends meet because of this unfair competition.
Can the member clarify why the Conservatives are planning to sacrifice the Canadian cultural sector to the American web giants?
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Madam Speaker, the focus of the censorship is to reduce the ability of minority cultural groups to speak on the Internet. Netflix can afford to pay extra fees, and I am sure in return it gives generous money to certain Liberal parties. We are concerned about people such as those who live in the riding of the member for Winnipeg North. The Tagalog from the Philippines will not be able to afford what maybe Netflix can.
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Madam Speaker, before I begin talking about Bill C-11, I note that it is a great day today because we learned the date the Deputy Prime Minister and Minister of Finance will be be delivering the budget to the House, which is April 7. I look forward to the next steps in moving our country forward. Not only have we recovered all the jobs we lost and created more than we had prepandemic, but our economy is actually larger than it was prepandemic. We will continue doing what is right for Canadians, not only those lovely Canadians who live in my riding of Vaughan—Woodbridge, but Canadians from coast to coast to coast.
It is always great to rise in the House, and it is a privilege and honour to serve the residents of Vaughan—Woodbridge. It is also great to see a government that is delivering for Canadians, not only here in Bill C-11, the online streaming act, but also with the environment minister, jointly with the Prime Minister, unveiling the emissions reductions plan, in beautiful Vancouver on the west coast, for how we will meet our targets to reduce greenhouse gas emissions and how we will get to net zero by 2050. I encourage all parties to look at that because it has something to do with the agenda, much like Bill C-11, the online streaming act, is a part of that agenda.
It is also much like yesterday when, joined by the Progressive Conservative Party of Ontario, our government brought forward a national day care and early learning child care plan. I think that is something to be celebrated. I know that when we enrol my youngest daughter, Leia, in day care in October, we will benefit from it personally. That is real change. That is what we call a promise made, a promise kept.
Some hon. members: Oh, oh!
Mr. Francesco Sorbara: Madam Speaker, if the hon. members wish to do a point of order on relevance, I would encourage them to do so. I will always speak to our government's record and how it is benefiting Canadians.
When I look at Bill C-11, I see the last time changes were made to the Broadcasting Act was in 1991, and I think about where I was as an individual in 1991 and what environment we operated in. I was beginning my first year of undergrad in university at Simon Fraser University. At that time, we did not even have email accounts. We were just given email accounts of some sort and were figuring out what was going on with this new technology. I think print was still pretty big as well. Fast-forward from then, and obviously we see there have been a number of changes in media and in what the Internet has created and we see the obvious metamorphosis that has happened in society. It is great to have been a witness to that and a participant in it.
I see today how that is impacting the lives of Canadian families, including my two older daughters, who are nine and almost 11. They receive their content and watch TV through Disney+, Prime, Netflix and YouTube, and all of their friends and cohorts receive and watch their content through online streaming. If I asked them if they knew the traditional media channels of ABC, CBS or NBC on the U.S. side, or CTV, Global and CBC on the Canadian side, I think my daughters would know the channels of Disney+, Crave and so forth much better because they receive so much content on them.
That is why it is so important that we as a government not only focus on Bill C-11, but, again, focus on achievements like a national early learning and day care plan and reducing greenhouse gas emissions, and focus on what I would say is a Broadcasting Act that brings us into the modern age. We know that legislation is always a work in progress and it has to be adaptable, but we also know that in the world we live in, the government tends to be sort of reactive in the sense that technology and changes in the world will move in a much faster fashion than sometimes government can respond to. That is a natural thing. It is a natural thing that we need to now respond to what is happening online.
I want to read one quote about the support this bill has received, because I think it is exciting, it is relevant and it does bring certain aspects of the Broadcasting Act into modernity. It is from eOne Canada:
“We're excited about the Online Streaming Act, which we see as an opportunity to increase investment in Canadian content and in turn help grow Canada's creative sector and domestic talent pool even further. The strength of Canada's film and TV sector today is a direct result of both public supports and private-public partnerships formalized over many decades, and a modernized act is the logical next step. We encourage all parties to collaborate to pass Bill C-11 as soon as possible.”
When we talk about Bill C-11, we are talking about modernization. I have always been a proponent of modernizing, whether it is in our tax structure or our regulatory burdens. I actually called for that in an op-ed a few weeks ago, and this is part of that mantra. This is part of that tangent where we look at whether the acts we utilize are impacting various industries, and the Broadcasting Act is one of them.
I want to take this time to recognize the powerful impact that Canadian cultural policies have had and continue to have on creative content production in Canada and what I would call our cultural sovereignty. We know that Europeans, if I can use them as an example, protect their cultural content. We know how much they revere their cultural content and how proud they are. Bill C-11, which would amend the Broadcasting Act, takes us down that path. It ensures that we put in value, that we march with our heads up and are very proud of what our Canadian creators from coast to coast do and that they receive the support they need.
The digital age has continued to transform Canada and how Canadians share their stories and consume content in an open and dynamic global marketplace, in addition to traditional television and radio. Most Canadians access their favourite songs, films and television shows through online streaming services like Netflix, Spotify, Crave, Disney+ and many others. It is time that these services are required to contribute to Canadian stories in the same way that Canadian broadcasters always have.
Our government is advancing an important digital policy agenda aiming to help create a fairer, safer and more competitive Internet for all Canadians. The online streaming act builds upon the economic and social benefits of the Broadcasting Act. It ensures the sustainability of the Canadian broadcasting system. It continues to support an ecosystem where public, private and community elements work together to contribute to the creation and exhibition of Canadian programming, and it ushers in a new era of broadcasting.
The online streaming act follows on our promise to safeguard our cultural sovereignty and support our creators and creative industries. We want to continue supporting Canadian creators and showcasing their stories on screen and in song. We want to continue supporting their livelihoods and inspiring future Canadians of all backgrounds in this beautiful, diverse and inclusive country we get to call home by allowing them to see themselves reflected on all platforms, including online. Those are some of our objectives with the online streaming act.
We have listened to stakeholders, experts, professionals, parliamentarians and many Canadians and taken note of their needs, interests and preoccupations. Following royal assent of the online streaming act, our government will issue a policy direction to the Canadian Radio-television and Telecommunications Commission, the CRTC, to indicate our priorities when it comes to putting in place the new regulatory regime. The policy direction has two primary goals. First, it will focus on the importance of consultation and special consideration of the needs of equity-seeking groups. Second, the direction will make clear areas where regulation is needed, as well as areas where flexibility should be exercised. That is very important, as we move forward with Bill C-11, for the primary goals and the focus areas.
We will continue to consult, as the government has done since day one in 2015 when we formed a majority government, and work with all Canadians and all stakeholders. We will also, of course, ensure the regulation is flexible, while meeting the goals of the amendments to the Broadcasting Act that are brought through Bill C-11.
It is my pleasure to speak in more detail about our government’s plan for a policy direction and the steps after the royal assent of the online streaming act.
If Bill C-11 is adopted, the Minister of Canadian Heritage intends to ask the Governor in Council to issue a policy direction to the CRTC to guide its implementation of the online streaming act. A policy direction is an opportunity to clarify the government's policy intent on certain issues regarding social media platforms and digital first creators. It will also provide a level of flexibility that ensures any necessary changes can be made quickly in the future when needed.
It is so important to have legislation and acts in place that react to the changes of the day so that we can look at and make the changes we need to understand the technology and how it is changing, not only in the workplace but in this situation with online media platforms and how they are changing a sector. We can point to how changes have come forth to many industries we operate in. I remember that when I first started working on Wall Street in New York city, we had a thing called a PalmPilot. We had it by our desk and we used to tap it for our schedule. Within a year or so, that became totally irrelevant. Then we would be contacted using a thing called a BlackBerry pager. Again, the technology changed so quickly. Therefore, we, as a government in this realm, are amending this section of the Broadcasting Act of 1991 to bring it up to speed.
It will also provide a level of flexibility that ensures any necessary changes can be made quickly in the future when needed. For instance, a policy direction to the CRTC will make it clear that the content of digital first creators who create content only for social media platforms should be excluded. Of course, individual users of social media will never be treated as broadcasters under the online streaming act, and only some commercial content carried on social media platforms could trigger obligations on that platform. A policy direction will clarify that the content of digital first creators will not be part of the commercial content that can trigger obligations for platforms.
This means that the content of digital first creators will not be included in the calculation of the social media platform's revenues for the purposes of financial contributions. Content from digital first creators will not face any obligations related to showcasing and discoverability. Canada's digital first creators have told us that they do not want to be part of this new regime, and we have listened.
The policy direction will also specify the government's intent when it comes to video games, and gaming is a very big industry in Canada, whether it is in Vancouver, Montreal or here in Ontario. I will repeat again that video games are not to be regulated.
The policy direction will also allow our government to signal important priorities to the CRTC, including with respect to such topics as advancing reconciliation with first nations, Inuit and Métis people; combatting racism; fostering diversity and inclusion; accessibility; official languages; adaptation to our new digital realities; and more.
When I think about diversity and inclusion in my area of York Region, I think about how we have Telelatino, which has been a long-time ethnic broadcaster in Ontario and throughout the country. When I talk to the principals at that entity, which is a mix of Spanish and Italian broadcasting, they are obviously here and doing things in Canada and participating with the government and agencies. I want to give a shout-out to Aldo and the entire team at Telelatino, TLN, for the great work they do in promoting not only Canadian content but content from various parts of the world and bringing it to our homes on a daily basis.
The draft policy direction will be prepared in the months to come and published upon royal assent of the online streaming act. It will reflect relevant legislative amendments adopted during the parliamentary review of Bill C-11 and the important feedback the government continues to receive. In the last session of Parliament, I sat on three committees and I know how important the role of committees is in allowing members the opportunity to provide feedback to strengthen legislation from the government of the day to make it better, more flexible, more efficient and more reflective of industry and stakeholders. “Better is always possible” is what we say at committee. I know all my hon. colleagues do a wonderful job in providing feedback and bringing their views to the legislation that is a brought forth, and that will include Bill C-11.
Once the direction is published, all stakeholders, including members of the public, will have an opportunity to provide additional feedback. A summary of their feedback will be published prior to the issuance of the final direction.
I listened intently to some of my hon. colleagues from the official opposition prior to my opportunity to rise and speak. I listened intently to some conspiracy theories, if I can use that term, being bandied about by some of the official opposition members, and I encourage them to submit this feedback into this feedback loop. A summary of their feedback could be taken in and published. If they would like to say that, it would be great, because I am still scratching my head about where with some of the stuff that is spouted forth comes from. I will try to understand it even better, but I am just not sure if I can.
The policy direction will provide the CRTC with the guidance to move forward quickly on the implementation of the new legislation and may even provide direction on the timelines for implementation of key elements of the regime.
I really need to speak to this point, because inherent in this act is obviously a policy direction or directive that would guide the CRTC in moving forward. The feedback mechanism would be in place to ensure that the online streaming act and the amendments to the Broadcasting Act really hit the nail perfectly and get that right. We are getting this right. We are moving in the right way.
We have listened to concerns of Canadians, we have listened to concerns of stakeholders, and we have listened to the feedback from stakeholders. That is what the right thing to do is as a government. It is to listen, to sit down and to talk to all viewpoints within industry, whether it is directed by ourselves or by the consumers, and we know that changes have to be made. I go back to 1991, the last time changes were brought forward, and I think of how the world has changed since 1991 for all of us, and hopefully in a positive manner.
In my humble conclusion, I want to repeat that the online streaming act would work to ensure that no matter how Canadians access their content, they should be able to see themselves in stories and songs that reflect their experience and their communities. When I think about that, I ask what it is to be Canadian today, as we all come from various backgrounds and various parts of this country. With the cultural content we consume, we need to obviously take a step back and always think about what Canadian content is and how we provide for it and finance it and assist it. We know other countries around the world assist their cultural industries, and the tourism side as well, to a great degree.
Whether it is Spotify, Crave, Disney+, Amazon Prime or Netflix, I think we pay for all of them in my household. We know there has to be a contribution here for the benefit of Canadian content. We know how valuable Canadian content is and we need Canadian content creators to have the opportunity to make sure the stories and histories that everyday Canadians see and hear are told. That is so important.
Before I finish up, I will say that members can rest assured of our commitment to carry out consistent and thorough consultations with everyone who has a stake in the implementation of this bill, including members of the official opposition, whom I have been reading some very interesting things about these days. This commitment will extend to the implementation and the subsequent policy direction to the CRTC.
I wish to thank members for their ears today and for hearing my thoughts on Bill C-11. I would like to say that this is part of our government's record of moving forward on a number of initiatives. That is what governments are elected to do, and it was great to see the national early learning and day care plan come to fruition yesterday. Today it is the emissions reductions plan, which is substantive, and today we are also debating Bill C-11, the modernization of our Broadcasting Act, and bringing over-the-top or online platforms into the modern age here in Canada.
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- Mar/29/22 4:19:42 p.m.
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- Re: Bill C-5
Madam Speaker, an agreement could not be reached under the provisions of Standing Orders 78(1) or 78(2) with respect to the second reading stage of Bill C‑5, an act to amend the Criminal Code and the Controlled Drugs and Substances Act.
Under the provisions of Standing Order 78(3), I give notice that a minister of the Crown will propose at the next sitting a motion to allot a specific number of days or hours for the consideration and disposal of proceedings at the said stage.
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Madam Speaker, the hon. member, during his speech, made a comment about digital-first creators. He said that they will not be captured by this legislation. This is a talking point that is used over and over by the government.
It is very clear in the legislation that anything that uses music will be captured, and therefore the CRTC regulations will be applied to those things. TikTok videos, by their very nature, use music. That is how they are created and that is how they are structured. If a TikTok video posted by a digital-first creator has music, then the regulations of the CRTC would be applied to it.
I would like the hon. member to help me understand his pretzel logic as it relates to how these TikTok videos might possibly be exempt from the regulatory arm of the CRTC.
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Madam Speaker, I know this hon. member has been quite passionate and quite involved in commenting on Bill C-11 from the onset and even in the prior session of Parliament before the last election. I applaud the hon. member for Lethbridge for their due diligence and work on this issue, because they have been there commenting from the beginning and asking tough questions to our government.
From looking at the research I have done on the bill and from the work that I have done, I know the bill explicitly excludes all user-created content on social media platforms and streaming services, and—
An hon. member: Oh, oh!
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- Mar/29/22 4:22:19 p.m.
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Order.
The hon. member had an opportunity to ask a question, and neither she nor anybody else on that side of the House should be raising any more questions or comments while the hon. member is answering.
The hon. member has about eight seconds to respond before I ask for another question and comment.
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Madam Speaker, I just want to thank you for restoring decorum in the House while I finish answering my question. I will go to the next question now.
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- Mar/29/22 4:22:42 p.m.
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Questions and comments.
Some hon. members: Oh, oh!
The Assistant Deputy Speaker (Mrs. Carol Hughes): Order.
Sometimes that is what happens when individuals are continually being interrupted. I want to remind members that if they want to ask questions, they must wait until it is their time to do that.
The hon. member for Thérèse‑De Blainville.
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Madam Speaker, I sincerely hope that Bill C‑11 will be passed as soon as possible.
I applaud the work that our colleague from Drummond did in committee. I am very happy that Bill C‑10, now Bill C‑11, is before the House today.
I do not understand why anyone would oppose this bill. The Canadian Radio-television and Telecommunications Commission Act is archaic and toothless.
Francophone cultural content is in decline, and all our broadcasters are losing momentum. I believe we must act to resist the web giants of the world. Personally, I find this very important.
My question for the member who spoke is this: If this bill passes, it will go to committee. How much time will it take for the CRTC to implement the changes?
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Madam Speaker, I thank my colleague for her question.
I would like to say I completely agree with the hon. member for Thérèse-De Blainville on the requirement and the real need for the modernization of the Broadcasting Act with the amendments we are bringing forward.
In terms of the length of time the CRTC would need, at this juncture I cannot answer that question. I would have to get back to the hon. member on that question.
I completely agree that Canadian content is unique. I was reminded of that when I spent a few days in Quebec City over March break with my family. We are unique here in Canada, and it is important that Canadian stories be told from coast to coast to coast and that we ensure that online providers deliver and provide funds when Canadian providers of content already do so.
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Madam Speaker, I know that my friend from Vaughan—Woodbridge spent a good deal of his life in the beautiful city of Prince Rupert, which is in northwest B.C. I was just reading online that there is a feature film being shot in that beautiful city right now, creating a lot of excitement and activity.
When I think about Canadian content creators, I think about film and television productions like that and the many that have been shot in the Bulkley Valley where I live. I think about content creators like the great Alex Cuba, nominated for multiple Grammy Awards and having won many other awards over the years.
The idea of capturing revenue and reinvesting it in the creation of Canadian content, to me, has a lot of merit. My question is why it has taken the government so long to level the playing field and insist that the big streaming platforms pay into those funds so that they too are reinvesting in content creators like the ones I have listed. Could the member comment on that matter?
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Madam Speaker, the hon. member for Skeena—Bulkley Valley is correct. That is where I was born and raised until I went off to university like many young Canadians do.
As a person who spent the first 20 years of his career in the private sector, I will say that I tend to be sort of impatient because I expect things to be done yesterday not today. That is just the way I operate, but obviously there is a process involved in government in laying out legislation and a time frame and a timetable to do so. I am very happy and glad to see the modernization of the Broadcasting Act and the amendments therein to bring in online streaming services that have become such a big part not only of our culture but of the economy globally. I look forward to that.
I also look forward to again visiting my hometown of Prince Rupert. Hopefully it is in the not-too-distance future because I do have many relatives and friends there still.
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