44th Parl. 1st Sess.
March 29, 2022 10:00AM
Madam Speaker, I love the question. It is such a good question, and Canadians are really going to appreciate it as well. The Broadcasting Act in the 1970s was created in order to regulate television and radio because there was a limited sphere available. In other words, there were only a certain number of radio channels. Rather than give them all to Canadian English media, they also wanted to make sure that some were given to French media. That seems appropriate, because we are a bilingual country. When we are dealing with a finite resource in order to spread it around, absolutely that is appropriate.
However, we are now talking about the Internet: this vast, magical, infinite space where any Canadian from any background with any language, any religion and any ethnicity can create a site, post on YouTube and have a TikTok account. Why is the government regulating them?
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Madam Speaker, I did not quite get the question, but the member was talking about the Broadcasting Act and protecting language and culture, which the Broadcasting Act does because there are limited channels in broadcasting. If it were a free-for-all and any Canadian could get on a broadcast channel and start broadcasting, we might have a problem. However, this is about online streaming, and when we stream online, we are not preventing anyone else from viewing what they are watching on TV. In fact, more people have the opportunity to see different shows that may not make the cut on regular network channels.
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Madam Speaker, today I am so pleased to speak to Bill C-11, an act to amend the Broadcasting Act and to make related and consequential amendments to other acts.
This bill is big, and this bill it really big news. When a lot of Canadians where I come from think of what the government does well and does not do well, it often relates to what we might watch on TV or what we might stream on the Internet, so in terms of consequences in our day-to-day lives, what we are talking about today really does matter.
It was in 1932 that the Canadian Radio Broadcasting Act was passed, which recognized the importance of radio broadcasting concerning educational, social and cultural development on a national level. Throughout the years, this act was revised and modernized, with the last update occurring in 1991. The world has changed over the last 30 years, especially with the rise of social media and the Internet.
Today, our current government says it is updating the act for today’s digital world to ensure that Canadian content is reflected in online programming. While there is a need to promote Canadian content and support Canadian creators, is the government truly respecting user choice, or is it trying to control what we see and hear online?
The heavy tone of all the regulations in this bill, in my opinion, is more of government oversight rather than cultural and language promotion. Why is the government telling the subject matter experts how to use their language and what stories they should be telling?
For example, under section 9.1, subsection (1)(d), the CRTC regulates:
the proportion of programs to be broadcast that shall be devoted to specific genres, in order to ensure the diversity of programming;
Is the government trying to tell us how many comedy, drama or horror programs that broadcasters under this act, in the age of social media and the Internet, would have to offer?
Last year, I did a survey on the previous iteration of this bill, Bill C-10. I heard from one elderly gentleman in my riding who was angry because he did not have any say over which channels he could get in a basic TV package. These are covered by the current Broadcasting Act and CRTC regulations, which would be amended by the legislation we are debating today.
In the modern era of broadcasting in Canada, more government oversight has meant fewer options for viewers. People do not want to be told what programs they have to include and pay for in their cable packages. This has led to a domination of traditional media by a few legacy giants, whose viewership continues to decline year over year as many are choosing the Internet and its vastly more diverse range of content and options.
This legislation risks causing the same reality we witnessed with cable TV, but applied to the Internet, including fewer choices, and fewer independent actors and creators. At the end of the day, is this just another attempt by the government to prop up failing legacy media?
Bill C-11 was the government’s opportunity to move into modern day concepts of broadcasting programs. The government claims it wants to modernize the Broadcasting Act of 1991, yet Bill C-11 is basically using the exact same definition of broadcasting, meaning the starting point for regulation in Canada is that all audiovisual content would be cast as programs. Had the government perhaps distinguished between conventional and on-demand broadcasters versus video sharing platforms, like was done in the European Union, there would be no need for exceptions, exemptions and exclusions, which are riddled throughout this legislation.
It is not me saying that. It is Michael Geist, the Canada research chair in Internet and e-commerce law. He explained that, when we start with legislation that includes everything and we try to narrow it down, we simply cannot. We end up with loopholes, undefined services, and plain and simple confusion.
Rather than clearly define what needs to be regulated as broadcasting, this bill would leave much of those decision-making powers up to the CRTC. This limitless reach of the CRTC was even identified in an internal government memo during the committee process of Bill C-10, the last iteration of this legislation. The memo stated that social media services such as YouTube and Facebook greatly expand the number of individuals and other entities than can be said to be transmitting programs over the Internet. It also highlighted the importance of limiting the power of the CRTC to regulate user-generated content.
Despite this, the government removed the exemption for user-generated content in Bill C-10. Now in Bill C-11, the government claims the exemption is back with proposed section 4.1. The government now says it listened and fixed the concerns around social media. However, when we look at proposed subsection 4.1(2), we see there is an exception to the exception, and indeed the government does allow for regulation of content uploaded to social media. How are users and content creators to know if they are the exception or the exception to the exception?
Proposed subsection 4.1(2) states:
(2) Despite subsection (1), this Act applies in respect of a program that is uploaded as described in that subsection if the program
(a) is uploaded to the social media service by the provider of the service or the provider’s affiliate, or by the agent or mandatary of either of them
Subsection 2(1) would define “affiliate” as follows:
in relation to any person, means any other person who controls that first person, or who is controlled by that first person or by a third person who also controls the first person
My tongue is already twisted; this is really complicated stuff. It seems to apply to YouTube creators and other creators, but with the vague definition and really challenging legislation to read and understand, we do not know. It is almost like the government tried to make it as complicated as possible so people would not understand the complexity of what it is trying to achieve, which we still do not know either.
Podcasts, one of the richest spaces for user online expression, would fall within CRTC power to regulate content as a program. This bill is trying to categorize, in very convoluted language, any and all Canadian content on the Internet as broadcasting. It simply is not. Foreign services that carry modest Canadian presence or services might not take so kindly to CRTC oversight. Their first response may very well be to block the Canadian market entirely, leaving many Canadians with less program choice, more expensive services, particularly with respect to access to multicultural programming, and algorithms that do not meet their needs online or respect their choices.
One of the key questions I get from constituents regarding this legislation is “Will I now be subject to CRTC regulations for what I watch and do on the Internet?” Recently, Darcy Michael, a comedian from B.C. with a large following on TikTok, expressed his concern with how the bill will affect artists in the digital space and those consuming culture online. Mr. Michael cautioned that CRTC oversight would limit creativity of independent artists and that the current system of “user-generated content exists because it works”. Algorithms right now, as I understand, reward content that is popular and it is shown to people who are likely to be interested. That is how Mr. Michael has made a lot of money and has done it as an artist. By showing Canadian content to viewers who are less likely to interact with it, we hurt its ability to reach foreign viewers and the creator's ability to make a living in the digital marketplace beyond the limited Canadian media landscape. Therefore, one of the most disconcerting issues is the financial impact this bill will have on Canadian creators, many of whom have large foreign audiences and are the real reason people know about Canadian culture in the first place.
In conclusion, there is so much to cover, but this is not the 1930s, the 1950s or the 1990s, when we would turn to the radio or television to hear the news or watch a local hockey game. This is 2022, and we are constantly facing new media platforms. We need to eliminate the uncertainty this bill creates. We need to avoid the problems this bill will create. We need to define key provisions, decide on what actually constitutes a Canadian creator, fully exclude user-generated content and limit the scope of the bill to a manageable size. It is unrealistic in the 21st century to think the government can regulate the Internet, and the consequences of doing what we are doing here today will be felt for a long time in ways that we do not understand.
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